Longlisted for the Women's Prize for Fiction
"An addictive, sprawling epic; I wolfed it down."
--Miranda July, author of The First Bad Man and It Chooses You
"Easily the funniest book I've read this year."
A portrait of the artist as a young woman. A novel about not just discovering but inventing oneself.
The year is 1995, and email is new. Selin, the daughter of Turkish immigrants, arrives for her freshman year at Harvard. She signs up for classes in subjects she has never heard of, befriends her charismatic and worldly Serbian classmate, Svetlana, and, almost by accident, begins corresponding with Ivan, an older mathematics student from Hungary. Selin may have barely spoken to Ivan, but with each email they exchange, the act of writing seems to take on new and increasingly mysterious meanings.
At the end of the school year, Ivan goes to Budapest for the summer, and Selin heads to the Hungarian countryside, to teach English in a program run by one of Ivan's friends. On the way, she spends two weeks visiting Paris with Svetlana. Selin's summer in Europe does not resonate with anything she has previously heard about the typical experiences of American college students, or indeed of any other kinds of people. For Selin, this is a journey further inside herself: a coming to grips with the ineffable and exhilarating confusion of first love, and with the growing consciousness that she is doomed to become a writer.
With superlative emotional and intellectual sensitivity, mordant wit, and pitch-perfect style, Batuman dramatizes the uncertainty of life on the cusp of adulthood. Her prose is a rare and inimitable combination of tenderness and wisdom; its logic as natural and inscrutable as that of memory itself. The Idiot is a heroic yet self-effacing reckoning with the terror and joy of becoming a person in a world that is as intoxicating as it is disquieting. Batuman's fiction is unguarded against both life's affronts and its beauty--and has at its command the complete range of thinking and feeling which they entail.
Named one the best books of the year by Refinery29 - Mashable One - Elle Magazine - The New York Times - Bookpage - Vogue - NPR - Buzzfeed -The Millions
Longlisted for the 2018 Women's Prize for Fiction
"Selin is entrancing - so smart, so clueless, so funny - and Batuman's exceptional discernment, comedic brilliance, and soulful inquisitiveness generate a charmingly incisive and resonant tale of the messy forging of a self." -- Donna Seaman Booklist
"Selin is delightful company. She's smart enough to know the ways in which she is dumb, and her off-kilter relationship to the world around her is revelatory and, often, mordantly hilarious... readers who are willing to travel with Selin at her own contemplative pace will be grateful that they did. Self-aware, cerebral, and delightful." -- Kirkus, starred review
"Elif Batuman's novel not only captures the storms and mysteries and comedies of youth but, in its wonderfully sensitive portrait of a young woman adventuring across languages and cultures, it brilliantly draws to our attention a modern politics of friendship. This is a remarkable book." -- Joseph O'Neill, author of THE DOG and NETHERLAND
"Elif Batuman surely has one of the best senses of humour in American letters. The pleasure she takes in observing the eccentricities of each of her characters makes for a really refreshing and unique bildungsroman; one more fascinated with what s going on around and outside the bewildered protagonist, than what s going on inside her." -- Sheila Heti, author of HOW SHOULD A PERSON BE? and TICKNOR
"I'm not Turkish, I don't have a Serbian best friend, I'm not in love with a Hungarian, I don't go to Harvard. Or do I? For one wonderful week, I got to be this worldly and brilliant, this young and clumsy and in love. The Idiot is a hilariously mundane immersion into a world that has never before received the 19th Century Novel treatment. An addictive, sprawling epic; I wolfed it down." -- Miranda July, author of THE FIRST BAD MAN and IT CHOOSES YOU
Elif Batuman has been a staff writer at The New Yorker since 2010. She is the author of The Possessed: Adventures with Russian Books and the People Who Read Them. The recipient of a Whiting Writers' Award, a Rona Jaffe Foundation Writers' Award, and a Paris Review Terry Southern Prize for Humor, she also holds a PhD in comparative literature from Stanford University.